“BLINK” premieres on Monday!

BLINK (for orchestra, electronic sounds and video) will be premiered by the Knoxville Symphony Orchestra this Monday March 29th under the direction of Mtro. Aram Demirjian.
Short program note about the work:
BLINK celebrates the uniqueness of the synchronous fireflies, a singular species of fireflies that lives in the Great Smoky Mountains National Park whose individuals synchronize their flashing patterns.
In the piece, the magic of the event is captured in the form of a journey that starts and ends in the National Park, going through imaginary worlds that exist inside of the Smokies. The glide through surreal underwater worlds, giant caves and Daliesque cities ends where it started, in the park, with the synchronous fireflies in full splendor.
BLINK was commissioned by the Knoxville Symphony Orchestra for the 2021 Young People’s Concert: “Nature at Night: A Smokies Symphony.”

Recording of Blink – Knoxville Symphony Orchestra March 17th 2021 at the Tennessee Theatre in Knoxville.

“Goes Free” is out!

“Goes Free” is a project where free improvisation becomes a bridge for inclusion. The album is made out of freely improvised versions of compositions written by enslaved-born composers. The selection contains works by Ignatius Sancho (1729-1780), Thomas Greene “Blind Tom’ Wiggins (1849-1908), and Basile Barés (1845-1902). The bonus track “Jan” offers a short duo introspection.

Performers

Cullen Burke (synth and live electronics)
Hunter Deacon (drumset)
Matt Nelson (double bass)
Jorge Variego (soprano and tenor saxophone)

Domino Ensemble Call for Scores – RESULTS

We received 44 pieces from 3 continents! The high caliber of the works was OUTSTANDING, it was a real thrill to be able to go through all of them. For this recording project, we selected the following composers and pieces (the list is in alphabetical order):
 
Sebastian Birch  Duplicitous Isolation

Lynn Blake John  The Little Buffalo

Michael Boyd  Animal Magnetism V

Nicholas Cline  abrade

Brian Field  ...and all that jazz…

Geoffrey Halgas  Village Folk Song

Aaron Hunt  Reluctant Dancer

Matthew Lam  Acrimonies

Yunfei MI Li  Made to Burn

Gabriel Malancioiu  Clavirgus

Kari Medina  Heart, Remember Dance

James Pecore  Samsāra

Piotr Szewczyk  Three Cartoons for Viola and Bass Clarinet

Robert Scott Thompson  Filigree and Shadow (two movements)

Purple Ego reviewed on “The Clarinet”

The latest edition of “The Clarinet” came out today and it includes a thorough review of our CD “Purple Ego” (Centaur 2019), check it out! / La edición más reciente de “The Clarinet” salió hoy y viene con una crítica muy buena de nuestro CD “Purple Ego” del 2019. Una alegría enorme saber que el album se sigue escuchando!

Domino Ensemble – CALL FOR SCORES

Domino Ensemble – Call for scores

In our first call for scores we want to encourage the creation of new works of any aesthetic for viola and clarinet (including bass clarinet or soprano saxophone).

Guidelines:

  • Instrumentation: Duo. The available instruments are viola (one performer) and clarinet, bass clarinet, or soprano saxophone (one performer). Electronic sounds can be used in addition to the acoustic instruments. Multimedia works with video will also be considered.
  • Solo works will not be accepted.
  • Max duration: 8’
  • Deadline: December 20th 2020
  • The call is open to ALL composers worldwide.
  • You can submit pieces that have been previously performed but not professionally recorded and released.
  • Single movements of larger works will be considered.
  • The work can include improvisation. Send us an email if you have questions about this particular point.

What to submit:

  • Complete the Google Form with a link to the music score (and recording if available), short bio, program note, and contact information.
  • Link https://forms.gle/QNW1XvoUuQDnba4y5
  • Fee: $20 for the first submission, $10 for every subsequent piece submitted. There is no limit of submissions per composer. Payment via PayPal (add the confirmation to the Google form).

Prize:

  • The selected works will be included in the next album of the ensemble. This release will be in 2021 and will include a worldwide distribution.
  • 10 CDs free of charge to each of the selected composers.
  • At least one professional review of the album.
  • Live performance as soon as we can get back onstage!
  • Results of the selected works will be announced at the end of February 2021

About the performers:

Hillary Herndon (viola)

Violist Hillary Herndon has earned a national reputation for her brilliant playing, “sweetly soaring tone” (Time Out New York), and insightful teaching. She has been heard on NPR and PBS and has collaborated with some of the world’s foremost artists, including Itzhak Perlman, who described Hillary as “having it all… a gifted teacher and an excellent musician.” Ms. Herndon teaches at the University of Tennessee, the Viola Winter Intensive and is the director of Daraja Strings in Moshi, Tanzania. Her recordings are available on MSR Classics. Herndon holds degrees from Eastman and Juilliard and serves as President for the American Viola Society.

https://www.youtube.com/channel/UCwpMzT1YffYAMaRH9omLgcQ

https://www.youtube.com/channel/UC21eYQPes7GMWkQnbT6jKHQ

Jorge Variego (clarinets, saxophone)

Jorge Variego was born in Rosario, Argentina. He is a former Fulbright Scholar and is currently on the Music Theory/Composition faculty at the University of Tennessee. His book publications include “Algorithmic Composition” with the National University of Quilmes (2018) and the upcoming “Composing with Constraints” with Oxford University Press.

His recordings as composer and performer are available on Albany Records, Naxos, Centaur and Parma Records.

Recent releases with the Domino Ensemble

https://open.spotify.com/album/60MpP4qvusFi1x65JCKyVO?si=QETEXEbbSFeUtYevRbfQeQ

https://open.spotify.com/album/5BhLJHlBzn0ovFEZ7yIb6U?si=uw33WKiTT7uHP6-b8iuAdQ

For questions please send us an email to: info@dominoensemble.com

“La Caja de Música”

A new composition for multimedia for viola, electronics and video. “La Caja de Música” (the music box) proposes a journey through an imaginary world filled with memories tinted with the sounds of nostalgia. Embracing the metaphor of machine-made sounds, the piece offers an opportunity to glide away.

Virtual Composition Program @ SSMF – Sewanee Summer Music Festival

 
It is no secret that the evolution of COVID 19 has completely upset life as we know it. While we still grieve the loss of the 2020 Sewanee Summer Music Festival as planned, we are excited to offer various online options for students to continue their studies with SSMF faculty this summer. Nothing can replace a summer on the mountain, but we hope these programs will allow you to continue your studies, engage with our faculty, and connect with students from across the country and around the world!
Each area is different, with some faculty more able to offer an online program than others.  Please look to see what is available in your program area, as well as general masterclasses and seminars applicable to all instruments.

 
In a nutshell …
Monday-Tuesday: Individual Lessons (1 hour)
Each student will receive five online individual lessons during the four weeks.
 
Wednesday: Group Sessions (1 ½ hour)
Each student will participate in four composition seminars. These meetings will consist of a Zoom group meeting and will be dedicated to a specific composer or work. Some of these sessions will be lead (live) by guest composers, conductors, and performers.
Thursday Group Orchestration Class (1 ½ hours)
Each student will participate in four orchestration sessions. The study materials will be provided.
 
Friday Electronic Music Seminar (1 ½ hours)
Each student will participate in five sessions dedicated to electronic music. In these sessions, we will discuss aspects of recording and mixing, digital transformation and sound processing, and more. The fifth session of the seminar will be a concert showcase of everyone’s works.

Drunken Raccoon – UNRELEASED

The EP Drunken Raccoon features Jorge Variego (clarinet, soprano saxophone and compositions), Jon Hamar (double bass) and Keith Brown (drums). It was recorded live on 12-16-19 at the University of Tennessee, Powell Recital Hall. Recording engineer: Chris Jerger.

Drunken Raccoon is the ensemble’s most recent exploration in trio format that fuses elements of tango, jazz, free improvisation and electronics. The EP includes two new works that feature the soprano saxophone, Drunken Raccoon and Polish Vodka, a Tango Blues, a personal homage to Anthony Braxton in Free Fugue, and a newly commissioned work by a young composer, The March, by Kris Monson that incorporates live electronics.

All original compositions by Jorge Variego except The March by Kris Monson.

Domino Ensemble review – On The Verge series GSU

Music filled the air as drumsticks crashed onto the cymbals and each string on the bass was strummed swiftly to melt into the soprano saxophone as each instrument crescendoed. This trio of instruments took the audience on a journey from  “Polish Vodka,” all the way to “Drunken Raccoon.” This journey was led by the Domino Ensemble.

GS Department of Music’s On The Verge Series for new music presented The Domino Ensemble Wednesday night at the Carol A. Carter Recital Hall. The Ensemble was able to grace the audience with music from their newest album “Drunken Raccoon.”

The Knoxville-based ensemble is comprised of Hunter Deacon on the drum set; Rob Linton playing double bass; and Jorge Variego on clarinet and soprano saxophone. Variego also acts as the trio’s composer. 

The trio played music from their newest album “Drunken Raccoon,” which contained a bluesy and contemporary feel to each song. Beginning with the “Polish Vodka” leading into “Tango Blues” followed by, “The March,” “Glove Assault,” “Tango Fugue alla Braxton” and finally concluding with their title piece “Drunken Raccoon”.

Variego said the inspiration behind the uncanny title, “Drunken Raccoon,” was thanks to his neighborhood watch group, who said they witnessed a raccoon break into someone’s trash and drink that person trashed alcohol. This led to others in the neighborhood witnessing a drunken raccoon.

The Domino Ensemble’s music was not the only music presented Wednesday night. Two composition student compositions were chosen to be debuted at the concert by The Domino Ensemble. Francisco Corthey’s piece, “Inmersiones,” was premiered, as well as Alex Ferré’s piece “What sixe genre do you wear?”

Ferré described the experience in hearing his song for the first time as weird because they “work with synthesizers a majority of the time, so it’s strange to hear it on actual instruments, but hearing something you made out of nothing be performed is just a great feeling.”

Variego said performing tonight was very meaningful to him as this was his second time performing at GS since his first appearance at one of the first editions of the On The Verge Series in 2013. 

Since 2012 the Georgia Southern Department of Music has been presenting the On The Verge Series to introduce students and faculty to new music from across the country and abroad.

A review of Purple Ego in INK 19 – check it out!

Domino Ensemble’s new album features 11 new songs, which blur the lines between a wide variety of styles and genre definitions. From experimental jazz musings, down to funk, fusion, and progressive, anything goes. The line-up explores a wide variety of interesting sounds, making me think of artists as diverse as Bill Frisell, Marc Ribot, as well as John Zorn, and many others.

Some of the album highlights include “Common Features,” a song that combines a distinctive rhythm section with atmospheric distorted guitar chords in the background and some incredible textures. I love how this song brings something truly memorable to the table in terms of allowing different elements to clash and collide so seamlessly. The fuzzy radio voices in the background are almost like a glue, holding it all together. The song “Not Exactly” what I mean is another highlight for me. I love the brushed snare tones, as well as the ever-evolving melodic landscape of this track. From uplifting melodies, to soaring dissonances, anything goes. “Gritty Throat” is another awesome song, which begins with a playful theme, with the double bass following along, but later drifting out on its own. This is a very minimalistic piece, which only has an understated arrangement. However, it serves as a sort of interlude, allowing the album to breathe and gain even more interesting dynamics, going out in full blast with the following track Domino, showcasing an atmosphere that makes me think of albums by Tom Waits in some ways. I love the ways in which the rhythm comes together and falls apart so many times, eventually giving the song a dreamy tone and a more experimental feel.

Ultimately, what I love the most about this album is the incredible variety of textures and organic sounds within. The ensemble has a warm, roomy tone which reminds me of old jazz records. On the other hand, the band is not afraid to experiment with distortion effects, li-fi dynamics and many other elements adding a grittier character to the mix. The sheer variety of sounds and influences in this release is also quite fantastic, giving the tracks a unique and memorable feel that truly stands out.