Ciudad Vieja (string trio) @ the AVS Festival

Ciudad Vieja (for string trio) was performed on June 3rd at the 2022 AVS Festival & 47 IVS Congress in Columbus GA. The trio involved string players of international renown: Lin He (violin), Hillary Herndon (viola) and Wesley Baldwin (cello). 

Program note: in South America, the “Ciudad Vieja” is an emblem that today represents the neighborhood of a city where tradition and modernity coexist. The sounds of the string trio are folkloric sonorities arbitrarily metamorphosed with the help of an academic lens. Tangos, milongas, candombes are all there, all present all absent.

Get the score here!

Amy I-Lin Cheng and Steve Beck to premiere “The Plus One” on 7-2 @ the SSMF

Pianists Amy I-Lin Cheng and Steve Beck to premiere “The Plus One” on 7-2 at the Sewanee Summer Music Festival

Program note: The Plus One is a sum of two pieces for solo piano that when played together create something greater than the sum of its parts. This work can be performed as a duo or as a three-movement piece: Piano I (solo), Piano II (solo) and Piano I + Piano II (duo).

Born in Taiwan, pianist Amy I-Lin Cheng has appeared on the concert stage in the United States, Germany, Switzerland, Denmark, Taiwan, Brazil, Canada, France, and Israel. She has been described by the New York Concert Review as a pianist whose “control of the keyboard is complete, technique easy and relaxed, with a wide range of touch.” Late pianist Claude Frank described her as “a brilliant, sensitive, imaginative and most beguiling pianist.” Cheng’s live performances have been heard on WGBH, KCSC, WHYY, La Radio Suisse Romande-Espace 2, and NPR. She has presented recitals at venues such as the Isabella Stewart Gardner Museum, Merkin Concert Hall in New York City, Weill Recital Hall in Carnegie Hall, and National Concert Hall in Taipei, as well as on concert series across the United States. Cheng made her Boston concerto debut at the age of 17 at Jordan Hall under the direction of Benjamin Zhander. Since then, she has appeared as a concerto soloist with the ‘Musica Viva’ Moscow Chamber Orchestra, Taichung Philharmonic, Orchestra of the Pines in Texas, University Symphony Orchestra (University of Michigan), and the Oklahoma City Philharmonic, among others. In 2015, she gave the North American premiere of the Kaprálová Piano Concerto at the Hill Auditorium in Ann Arbor as part of the week-long Kaprálová Festival, hosted by the University of Michigan’s School of Music, Theatre & Dance. In Summer 2017, she gave the U.S. premiere of Improvisation on Misirlou, a single-movement piano concerto by Israeli-American composer Daniel Rein, with the Sewanee Symphony Orchestra during the Sewanee Summer Music Festival. In 2019, she gave the world premiere of the Double Concerto for YangQin and Piano by Taiwanese composer Chun-Da Huang, collaborating with the National Chinese Orchestra Taiwan (NCO), at the University of Michigan. Her recording of the Kaprálová piano concert was released in Summer 2021 on the Naxos label, with outstanding reviews.

In the 2019–20 season pianist Steven Beck performs Saint-Saëns’s Carnival of the Animals with the New York Philharmonic, and Beethoven’s Triple Concerto with the Princeton Symphony Orchestra. He also reprised his annual Christmas Eve performance of J.S. Bach’s Goldberg Variations at Bargemusic, the Brooklyn-based venue that has become a New York institution.

Mr. Beck is an experienced performer of new music. He has worked with composers including Carter, Boulez, Dutilleux, Charles Wuorinen, George Crumb, Perle, and Fred Lerdahl, and performed with ensembles such as Speculum Musicae and the New York New Music Ensemble. Mr. Beck is a member of The Knights, Talea Ensemble, and Da Capo Chamber Players. He is also a member of Quattro Mani, a piano duo specializing in contemporary music. He has appeared as an orchestral keyboard player with the New York Philharmonic, New York City Ballet Orchestra, Orpheus Chamber Orchestra, Mariinsky Orchestra, and many others.

Steven Beck’s discography includes Lieberson’s Piano Concerto No. 3 (for Bridge Records) and Carter’s Double Concerto (Albany Records). He is a Steinway Artist.

The ORSO performs “BLINK” on May 7th

The Oak Ridge Symphony Orchestra will perform “BLINK” in the last concert of their 21-22 season under the direction of Mtro. Dan Allcott. Season Celebrations at the Historic Grove Theater in Oak Ridge. 

Program note

BLINK celebrates the uniqueness of the synchronous fireflies, a singular species of fireflies that lives in the Great Smoky Mountains National Park whose individuals synchronize their flashing patterns.

In the piece, the magic of the event is captured in the form of a journey that starts and ends in the National Park, going through imaginary worlds that exist inside of the smokies. The glide through surreal underwater worlds, giant caves and Daliesque cities ends where it started, in the park, with the synchronous fireflies in full splendor.

BLINK was commissioned by the Knoxville Symphony Orchestra for the 2021 Young People’s Concert: “Nature at Night: A Smokies Symphony”.

Duo Montagnard performs “Urban Design”

“Urban Design” uses a simple chromatic idea to intertwine the discourse of the guitar and the saxophone. For moments improvisatory, the interplay of the instruments is structured around a rhythmic structure inspired by Ligeti’s “L’escalier du diable.”

Duo Montagnard Joseph Murphy, saxophone Matthew Slotkin, guitar

Oak Ridge Chorus: The Journey

On March 4th the Oak Ridge Chorus under the direction of Brenda Luggie will premiere my piece “What is home” for mixed choir and jazz trio.

Program notes:

What is Home poses a question about identity and personal roots. For many, home is not simply the house or the city that you were born, it is a complex idea that changes with time. Our childhood memories and multisensorial experiences of our upbringing make our “home”; people, places, foods, sounds, also identify our place in the world. A sound, a simple scent can place us there.

The piece has the form of a tune for mixed choir with jazz trio and transits the fine line between what’s familiar and what’s not.

More information and tickets:

https://orcma.org/thejourney

The journey is different for each of us as humans, but there are common themes. Hear the Oak Ridge Chorus sing about our journeys as humans in this uplifting concert. A special commissioned piece by composer Jorge Variego will be announced. The concert is part of our Penny4Arts programming offering FREE attendance for youths 18 and under.

Event Supported By

Oak Ridge Civic Music Association (ORCMA)
(865) 483-5569
office@orcma.org

Composing with Constraints is OUT!

Composing with Constraints: 100 Practical Exercises in Music Composition provides an innovative approach to the instruction of the craft of music composition based on tailored exercises to help students develop their creativity. When composition is condensed to a series of logical steps, it can then be taught and learned more efficiently. With this approach in mind, Jorge Variego offers a variety of practical exercises to help student composers and instructors to create tangible work plans with high expectations and successful outcomes.

Each chapter starts with a brief note on terminology and general recommendations for the instructor. The first five chapters offer a variety of exercises that range from analysis and style imitation to the use of probabilities. The chapter about pre-compositional approaches offers original techniques that a student composer can implement in order to start a new work. Based on lateral thinking, the last section of the book fosters creative connections with other disciplines such as math, visual arts, and architectural acoustics.

The one hundred exercises contain a unique set of guidelines and constraints that place students in a specific compositional framework. These compositional boundaries encourage students to produce creative work within a given structure. Using the methodologies in this book, students will be able to create their own outlines for their compositions, making intelligent and educated compositional choices that balance reasoning with intuition.

Get your copy:

https://global.oup.com/academic/product/composing-with-constraints-9780190057244?cc=us&lang=en&#

https://www.amazon.com/Composing-Constraints-Practical-Exercises-Composition/dp/0190057246/ref=sr_1_1?dchild=1&keywords=composing+with+constraints&qid=1634257587&sr=8-1

Another great review of “Goes Free”!

Domino Ensemble presents: Goes Free

July 2021 – Domino Ensemble is a band with a focus on creating a wonderful and dynamic sound by combining elements of genres as diverse as jazz, fusion, and even some progressive influences. The band’s sound is very varied and what makes it quite special is the fact that there are virtually no limits to the artist’s creativity and approach. The group thinks in terms of creating great songs rather than sticking to the rigorously bound confines of a music genre. As a result, anything goes as long as Domino Ensemble is able to achieve its desired results through music.

The band’s recent work, Goes Free, is a collection of performances and improvisational pieces based on compositions written by composers who were born into slavery, including Ignatius Sancho, as well as Thomas Green and Basile Bares. This record is a perfect example of what it means to keep an open mind musically, and the amazing results definitely pay off here. Hailing from Knoxville, Tennessee, the group set out to stray from the conventional path and craft outstanding music that feels exciting and liberation. Their most recent studio effort, “Goes Free,” contains five songs, shining a light on the band’s diverse approach and world-class musicianship. The opening track, “Just So in the North” is an extended jam, which dives deeper into the vast variety of sonic aesthetics that these musicians are so open to embrace. “Le Vieux Garçon (The Old Boy)” is another fantastic track, which is particularly striking due to the fascinating rhythmic patterns, bringing an experimental feel to the sound. “The Boy with the Axles in His Hands” is another exciting track, which provides a smooth insight into the band’s ability to approach classic-sounding melodic ideas in a more direct and personal way. The song “Jan” features a prominent lead sax performance that’s super evocative and spontaneous, while the final track, “La Lousianaise,” the band starts small, but then delves into a complex and intricate fabric of melodies and drones.

Domino Ensemble’s music should definitely be right up your alley if you enjoy the sound of contemporary jazz with a bit of an experimental vibe to it. At the end of the day, the band’s personality is creative and one-of-a-kind, and there’s something quite outstanding about its ability to think differently.

Find out more about Domino Ensemble, and do learn more about Goes Free, which is currently available on the best digital streaming services out there.

Read it HERE

“Goes Free” reviewed!

A review of our latest EP “Goes Free” that came out yesterday in Jazz Corner. We are still cornered, a bit in a bit out… Listen to it in Bandcamp! / Una reseña de nuestro ultimo EP “Goes Free” que grabamos en diciembre pasado. Escuchalo en Bandcamp.

Domino Ensemble is a band with a focus on creating new music that values free-form aesthetics and creative thinking.

In fact, a lot of the band’s material is based on pure improvisation. The Ensemble’s work is all about each individual musician, but rather the sum of its part. What I mean by that is that these artists aren’t performing in a selfish way, but rather they see a higher musical purpose. In addition to improvising, they also workshop songs and compositions from student composers, allowing young creatives to voice their artistry and reach a broader audience with their work.

The band’s most recent EP is aptly titled Goes Free, highlighting the spontaneity and honest vibe of the band’s recording. The first track is a touching song titled “Just So in the North,” which is extremely diverse and impactful, revealing the proficiency of these musicians over the span of roughly 8 minutes.

The second track is titled “Le Vieux Garçon (The Old Boy), and it serves as another fantastic example of the group’s artistry, and ability to set the bar higher with so much balance. The following number, “Jan” clocks in at slightly over the 5-minute mark, being the shortest song on the EP. In spite of that, it still packs a lot of creativity and punch, highlighting the proficiency of these amazing musicians.

Finally, the record comes to a close with “La Lousianaise,” a fantastic track with a bit of a New Orleans flair to it.

This EP is incredibly well-produced, revealing the band’s ability to perform unrestrained, but without falling into the trap of self-indulgence, which at times seems to plague some improvisational artists. What I mean is that sometimes, artists seem to play for the sake of showing off rather than to serve the composition, but this is definitely not the case here, as Goes Free is a testament to the band’s focus on achieving unity and create a really good experience for the audience, serving the music as opposed to only serving themselves.

Cullen Burke (synth)

Hunter Deacon (drums)

Matt Nelson (double bass)

Jorge Variego (saxophones)

Read the post here: