‘Today’s performing artist profoundly wants a partnership which will involve the audience as much as himself. This conception means much more to us in the design and scoring of our communities than it does for the theatre. Cities themselves are beginning to be scored like theatre, in an intricate interrelationship between artist and communities. A community has the right to make scoring decisions itself, based on its own understanding of the implications of action… This comes back full cycle to our early discussion on scores in music and theatre, to the new attitude about involvement and against specialization. The new theatre, the new art, wishes once again to involve the people.’

HALPERIN, RSVP Cycles, 175