La jungla at Seamus 2016

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The conference will be held Feb 11 – 13, 2016 at Georgia Southern University in Statesboro, Georgia.  The conference will migrate between the downtown area and the university with the hope of bringing music and media art to the public.

The theme of SEAMUS 2016 is Transvergence. When paths converge at a basis, rather than simply diverge along their previous trajectories, the paths can instead veer along a transvergent trajectory outside the foreseen boundaries implied by pre-convergent momentum.

While convergence and divergence are simple linear extrapolations that proceed by strategies of alignment transvergence advances translinearly by tactics of derailment. … convergence and divergence contain the hidden assumption that the true in either a cultural or an objective sense is a continuous landmass. Transvergence recognises true statements to be islands in an alien archipelago sometimes only accessible by leaps flights and voyages on vessels of artifice   – from Marcos Novak’s “Speciation, Transvergence, Allogenesis: Notes on the Production of the Alien”

Walls received honorable mention in the American Prize!

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Great News! I’ve just been awarded Honorable Mention in the Chamber Music Professional division of The American Prize national non-profit competitions in the performing arts.

Here’s the link: http://theamericanprize.blogspot.com/2015/11/composer-winners-chamber-music-pro.html  

Listen to the work here:

     Walls (flutes nonet) (version by the University of Florida Flute Choir, Dir. Kristen Stoner)

You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize

UT Contemporary Music Festival

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(click to watch the video of the performance by the UT Electroacoustic Ensemble)

UT School of Music Hosts Contemporary Music Festival

KNOXVILLE—The School of Music at the University of Tennessee, Knoxville, is hosting its first contemporary music festival Oct. 22-24.

The event is a celebration of contemporary music, which includes a number of stylistic trends that have developed over the past 30 to 40 years. It will spotlight both chamber ensemble and electronic music.  

The festival will include workshops, lectures, master classes and performances by featured guest artists. All of the events all free and open to the public.

“We are honored to not only be able to host this remarkable event, but also that we have such esteemed guests joining us during the festival,” said Brendan McConville, an associate professor of music theory and composition and one of the organizers of the event.

Featured guests performing at the event include Composer-in-Residence Marc Mellits, electro-acoustical performer Joo Won Park and Terminus Ensemble, an ensemble from Atlanta that focuses on promoting new music. UT’s Contemporary Music Ensemble also will be performing.

A highlight of the festival will be a performance of “Music for 18 Musicians,” a work of musical minimalism composed by Pulitzer Prize-winning minimalist Steve Reich in the mid-1970s. UT’s Electroacoustic Ensemble also will be performing.

“Music for 18 Musicians” was performed almost exclusively by Reich’s own group, Steve Reich and Musicians, for two decades after its premiere in 1976. There was no score, and Reich had written the parts specifically for his players’ strengths. A full score of the piece was written by composer Marc Mellits and was first performed in 1997, then published in 2000.

“Reich’s ‘Music for 18 Musicians’ has become a staple of contemporary music literature. Because of its length and scope it is performed somewhat rarely, so this is a huge opportunity to experience this work live with the individual (Mellits) who worked with Reich to assemble the score,” said Andrew Sigler, a lecturer of music composition who helped organize the event.

UT Contemporary Music Ensemble Director Andrew Bliss said, “It has been a real joy leading the students through Reich’s masterwork ‘Music for 18 Musicians.’ The piece requires performing forces from the vocal, strings, woodwinds, piano and percussion areas, and it has been a wonderful collaboration for us all.”

Here is the schedule of events for the festival: 

Thursday, Oct. 22 — Marc Mellits Portrait Concert performed by the UT Contemporary Music Ensemble at 8 p.m. in the Sandra G. Powell Recital Hall in the Natalie L. Haslam Music Center. The concert will feature a variety of Mellits chamber works from the past decade.

Friday, Oct. 23 — Terminus Ensemble Concert, 12:20 p.m. in the Percussion Studio, Room 133, Natalie L. Haslam Music Center.

Friday, Oct. 23 — Joo Won Park, featuring members of the UT Electroacoustic Ensemble, 9 p.m., the Black Box Theatre in the Emporium, 100 South Gay St. Sponsored by Casa Hola.

Saturday, Oct. 24—Steve Reich’s “Music for 18 Musicians” performed by the UT Contemporary Music Ensemble, 8 p.m., James R. Cox Auditorium of Alumni Memorial Building. 

For more information, go to http://www.music.utk.edu/events/october.html

The Stoka ensemble rocks Sexual chocolate porter in Den Haag

The group did an amazing presentation at Studio Loos in Den Haag offering a balanced interaction between electronic and acoustic sounds. Tomer Baruch, Theo Horsmeier, Adam Juraszek – computers, Emilio Tritto – baritone sax, Daniel Clason – trumpet, Louis Portal – drums

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Sexual chocolate porter live by the Stoka:

     Sexual chocolate porter. (version by the Stoka Ensemble – Tomer Baruch)

 

At the Harold Golen Gallery

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In collaboration with the Harold Golen Gallery, FETA Foundation presents Jorge Variego (clarinets and electronics) in a concert filled with new works by Latin American composers . The music contemplates the fine line between composition and free improvisation while engaging electronic media. The program of works by Blas Atehortúa (Colombia), Ricardo Dal Farra (Argentina-Canadá), Jorge Variego (Argentina-USA), Daniel Schachter (Argentina), Jose Miguel Candela (Chile), Miguel Noya (Venezuela) and Mirtru Escalona Mijares (Venezuela) features a balanced spectrum of electronic, acoustic and  visual components.

Roberto Oliveira premieres “Nunca tan lejos” in Galicia

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Nunca tan lejos (vibráfono, electrónica y video) – 2015 – Estreno mundial (click to watch the video)

Compuesta en SuperCollider, la electrónica intenta extender, desarrollar y muchas veces contraponer el discurso del intérprete a través de patrones que emergen y se evaporan. El material esencial de la pieza surge de una serie armónica que el vibrafonista revela gradualmente. El ordenador sigue un proceso similar, introduciendo transformaciones microtonales y procedimientos distorsivos que se acumulan, invitando a un viaje hacia un mundo de sonoridades poco familiares. La obra ofrece una serie concatenada de imitaciones imperfectas que van desde la adrenalina pura a momentos de profunda introspección.

** Este trabajo está dedicado a Roberto Oliveira

Walls in the semifinals of the American Prize

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Great News! I’ve just been selected as a semi-finalist in the Chamber Music Professional division of The American Prize national non-profit competitions in the performing arts. Here’s the link: http://theamericanprize.blogspot.com.

The American Prize will be announcing finalists in my division in several weeks. You can learn more about this prestigious national competition here: www.theamericanprize.org or follow the news on Facebook: https://www.facebook.com/pages/The-American-Prize-celebrating-American-excellence-in-the-arts/214320622728 or Twitter: https://twitter.com/americanprize