At BIG EARS 2023 with Variego3 !!

Big Ears 2023
With a musical palette that spans classical, jazz, tango, and the avant-garde, the Argentine composer/woodwind player Jorge Variego and his Jimmy Giuffre-inspired chamber unit with pianist Tabor Gable and bassist Rob Linton will perform in tandem with author Geoff Dyer’s readings from his classic, But Beautiful: A Book About Jazz, which Keith Jarrett proclaimed “the only book about jazz that I would recommend to my friends. It’s a little gem.”

BLINK with the Knoxville Symphony 23-24 season

BLINK for orchestra and multimedia will be part of the Knoxville Symphony 23-24 concert season. The piece will be performed at the Bijou Theatre on September 17th 2023 with Mtro. Aram Demirjian. 

Program note BLINK celebrates the uniqueness of the synchronous fireflies, a singular species of fireflies that lives in the Great Smoky Mountains National Park whose individuals synchronize their flashing patterns. In the piece, the magic of the event is captured in the form of a journey that starts and ends in the National Park, going through imaginary worlds that exist inside of the smokies. The glide through surreal underwater worlds, giant caves and Daliesque cities ends where it started, in the park, with the synchronous fireflies in full splendor. BLINK was commissioned by the Knoxville Symphony Orchestra for the 2021 Young People’s Concert: “Nature at Night: A Smokies Symphony”.

Check the KSO 23-24 season here: 

Valentin Garvie premieres “Contrafactum” at UT

During his 2023 US visit Valentin Garvie will offer a concert of new music for trumpet and trumpet and electronics. 

Valentin Garvie is an internationally renown trumpet soloist/composer who straddles the worlds of Classical, Contemporary Music and Jazz in a versatile and original way.

He studied Orchestral Conducting at Universidad Católica Argentina in Buenos Aires whilst studying trumpet with Rafael Morelli and composition with Marcelo Perticone. He then pursued a Postgraduate Performance Course in Trumpet at the Royal Academy of Music in London with teachers John Wallace and Howard Snell.

From 2002 to 2017 he held the trumpet position at the Ensemble Modern in Frankfurt, working and collaborating with the main composers and conductors of our times including Pierre Boulez, Beat Furrer, George Benjamin, Helmut Lachenmann, etc.

He has been invited by symphony orchestras such as Hessischer Rundfunk Sinfonie Orchester , the Mahler Chamber Orchestra, and the Lucerne Festival Orchestra. He has been a member of ensembles such as Worldbrass and Banda Antix and has performed Bach’s Brandenburg Concerto Nr 2 with many chamber orchestras around Europe.

Valentin is also very active as a jazz soloist . He was a member of Hessischer Rundfunk Jazz Ensemble as a composer/instrumentalist and continues to play with many important figures of the german jazz scene. In 2015 he was awarded the Hessischer Jazz Preis.

In 2017 he relocated to Mar del Plata, Argentina where he continues to develop his career as a soloist, chamber musician, jazz soloist, composer and educator.

He was awarded the “Konex” prize for his role as an outstanding wind player of Argentina in the decade 2009-2019.

He is increasingly active as a composer and leader of collaborative projects. In May 2019 during a residency in Teatro Colon, Buenos Aires he lead a collaborative adapation of Bernd Alois Zimmerman ´s Trumpet Concerto and Alvin Curran ´s Fakebook. The last of which he has also coordinated as artistic director with the Ensemble Modern. He has performed with various symphony orchestras his composition “Cuatro piezas para trompeta y orquesta”. In 2020 he coordinated/lead a project based on the work of composer Gerardo Gandini in the Centro de Experimentación del Teatro Colón. He has recently premiered his “Concierto” (versión para trompeta, saxo y gran órgano) at the main hall of Centro Cultural Kirchner, Buenos Aires in march 2022. 

About the piece: Contrafactum is based on a bicinia by Orlando de Lassus. Similar to a a jazz contrafact, Contrafactum evolves after a reestablished framework. 

The composition is for two trumpets, the artists for the premiere will be Valentin Garvie and Arthur Zanin. 

Fuego y Duende premieres on Feb. 26 in NC

Cellist Ashlee Booth and violist Cameron Rehberg will premiere “Fuego y Duende” on February 26th @ 4PM at Acoustic Corner in NC.

About the piece:

Fuego y duende is a composition about the unrelenting search that fuels music in all its forms. At its root, the need for music comes from an inexplicable desire to find something indescribable. Music is a constant search. In García Lorca’s words “…there are no maps nor disciplines to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we have learned…”

About the performers:

Ashlee Booth (b.1993, West Palm Beach, FL) is a native Floridian and freelance cellist currently residing in Asheville, North Carolina where she teaches orchestra in the Buncombe County Schools.

Ashlee is a classically trained cellist who specializes in contemporary music. Ashlee has performed with the local contemporary music organization nief-norf in their Knoxville Concert Series and at the Big Ears Festival. During the summer of 2018, Ashlee appeared as a Performance Fellow at the Bang on a Can Summer Music Festival and in residency at the Avaloch Farm Music Institute with “Two-Way Street” and composer, Sarah Hennies.

Ashlee was the winner of the 2017 Concerto Competition at the University of Tennessee and performed the first movement of Shostakovich’s Cello Concerto with the UTSO. She has appeared in masterclasses for artists such as Joel Krosnick, Desmond Hoebig, Collin Carr, Amit Paled, and the Dali String Quartet.

Her musical career extends beyond the stage. She is a registered teacher with the Suzuki Associations of America and received Book 1 training with Dr. Melissa Kraut. Ashlee is passionate about sharing her love of music and encouraging creativity in young students through her teaching. She is currently the Strings Teacher in the Buncombe County Schools and is the cello instructor at Bill Jones Music School, where she teaches private lessons and leads a biweekly improvisation group class. She has appeared as Guest Artist Faculty at the 2019 Tennessee Cello Workshop and at the Community Cello Works in Blacksb
urg, Virginia.

Ashlee strives to give her students a culturally responsible education. Her orchestra students are not only taught the fundamentals of musicality,
 but a wide range of musical styles, perspectives, and with an emphasis on relating music to the world around them.

Ashlee received her Bachelor’s degree from Florida State University where she studied with Greg Sauer. In 2018 Ashlee completed her MM and her work as the Graduate Teaching Assistant for Dr. Wesley Baldwin at the University of Tennessee, Knoxville. 

In the Knoxville Voyager!

Today we’d like to introduce you to Jorge Variego.

Hi Jorge, it’s an honor to have you on the platform. Thanks for sharing your story with us – to start, maybe you can share some of your backstories with our readers.
I was born in Rosario, Argentina. My musical studies began at age 10 with the clarinet and some general ear training classes. This relentless relationship with music continues today and has taken me to many places, connected me with incredible people, and taken me through unique experiences.

I’m sure you wouldn’t say it’s been obstacle-free, but so far would you say the journey has been smooth?
After finishing my undergraduate degree, I moved from Argentina to the US, back to Argentina, back to the US, Europe, and the US. Lots of twists and turns along the way. In that order! Wherever music took me.

READ THE FULL ARTICLE HERE

“The Plus One” for two pianos

Program note:

The Plus One is a sum of two pieces for solo piano that when played together create something greater than the sum of its parts. This work can be performed as a duo or as a three-movement piece: Piano I (solo), Piano II (solo) and Piano I + Piano II (duo).

Performance requirements:

Piano I should have two timpani mallets and a guitar pic (or similar) for the sections were playing inside of the instrument is required. The timpani mallets can be substituted with any type of soft yarn mallets. A layer of packing tape should be added to the strings on the notes E7 to B7. A single strip close to the instrument’s mechanism should work well for the section that starts in m. 170.

No preparations are needed for Piano II.

World premiere version: Ami I-Lin Cheng and Steve Beck pianos. July 2022.